Piano Sketches No. 10 for Solo Piano
This is the last in a series of 10 solo piano pieces I wrote to explore time signatures (this one is in 10/4 or 10), starts in 3,2,2,3,2,2 and then into 2,2,2,2,2, with modal and chordal structures. This piece with the subtitle of In the Tit For Tat and evokes a sense of “giving or taking one thing for another. The opening section of this piece starts with a series of chord in 9/8. This piece also focuses on quartal and quintal chord structures and modal melodies.
This is the last in a series of 10 solo piano pieces I wrote to explore time signatures (this one is in 10/4 or 10), starts in 3,2,2,3,2,2 and then into 2,2,2,2,2, with modal and chordal structures. This piece with the subtitle of In the Tit For Tat and evokes a sense of “giving or taking one thing for another. The opening section of this piece starts with a series of chord in 9/8. This piece also focuses on quartal and quintal chord structures and modal melodies.
This is the last in a series of 10 solo piano pieces I wrote to explore time signatures (this one is in 10/4 or 10), starts in 3,2,2,3,2,2 and then into 2,2,2,2,2, with modal and chordal structures. This piece with the subtitle of In the Tit For Tat and evokes a sense of “giving or taking one thing for another. The opening section of this piece starts with a series of chord in 9/8. This piece also focuses on quartal and quintal chord structures and modal melodies.